Eko hotel rooftop - light painting

dragon cloud over Victoria Island

Despite the economic difficulties: the strong and hard-to-find dollar, the falling naira, the Niger Delta Avengers successful attempt to cut down the oil production by blowing up pipelines; Lagos goes on building-up further. New places mushroom and others disappear like the cool Seaside, which was set-up on land belonging to Lagos State and recently flattened by bull-dozers.
A new place is born, sort of consolation for the amateurs of fresh air: the Eko hotel rooftop which offers breathtaking views over the ocean, the upcoming Eko Atlantik and Victoria Island.
A great place which locals tend not to like because the breeze is too strong. The music is not too loud.
As the night comes, city lights are filling-up the air inviting to some photographic experiment, this time round the light painting option of my new phone camera.

Nestoil, the latest skyscraper in town

VI colours

Adetokunbo Ademola street

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The Ogiamien family in Benin City: about wood and history

Roland Ogiamien in his wood-carving workshop Wood Roland Ogiamien is a renown wood carver. He is now retired in his home town of Benin City and is now in his 80s. We met him in his simple workshop, a barn opened on the surrounding greenery. A part of the studio is used to store wood pieces and make sure they are well dried. He is using a collection of german ustensils to carve and polish the wood. He spent most of his career working out of Lagos before relocating to Benin. Roland was explaining that the wood he uses today is different that the one he worked on in his early days. Ebony has become rare and wood carvers have had to switch to other types of wood. Traditional heritage is a large part of his inspiration which he translates on wood with his own particular style, exploring various techniques for the finish of his pieces. Roland Ogiamien and two of his favourite masks History Ogiamien is the name of an important royal family in Benin Kingdom. Towards the end of the

The mysterious stones images of Esie

turned into Stones Chief J. Agbo Ooye had been waiting in the shade of a large tree, in front of the National Museum of Esie, dressed in ceremonial costume with a velvet hat incrusted with crystal beads sown in the shape of his title and his name. He was sitting next to his wife on a bench, expecting our arrival. His wife, he would tell us later, was his best friend and she was actually demonstrating it by guiding his frail body from one place to another and guiding his hand when it came to sign autographs of his books. Chief Agbo Ooye is the author of two booklets on the Esie Stones. The first one, called A Personal Account of the Esie Stones is giving an overview of the differences between the scientific and the traditional interpretation of the Esie Stones. The second one is called the History of Esie and gives a brief account of Esie's history from the early settlement of Yorubas in various groups (Esie, Oro, Eku Apa, Igbonla, Edidi, Igbesi, etc...) to the present day. Thos

The Ejiogbe Twins, fine stone carvers

Kehinde and Taiwo dancing hand in hand Taiwo and Kehinde Olabode Ejiogbe: now and then Drums could be heard in a distance as we approached the open compound of the Ejiogbes. Two slender white-clad silhouettes, those of two Obatala followers, were dancing forward in our direction, sometimes hand in hand, sometimes not, but synchronised at all time. Taiwo and Kehinde Ejiogbe, the stone carver twins of Inisa, Osun state, were now greeting us and welcoming us in an open courtyard where a marquee had been arranged with rows of plastic chairs. Taiwo's simple lines I had met the Ejiogbe Twins about a year ago in Iragbiji and had bought some of their carvings which I still like very much. So it was natural to go and meet them again in their abode. The compound was decorated with the many stones carved by the Twins. Taiwo's works were displayed on the lawn separating the road from the house. Large pieces with an asiatic touch in the simplicity of lines of the carvings.

Nigeria, the land of plenty

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