Skip to main content

The Emirates of Zazzau in Zaria

the Magajin Garin of Zazzau in his audience room
the Magajin Garin of Zazzau in his audience room
Northern states in Nigeria are composed of a number of Emirates. The Emirs are the rulers of the people. Many of them of Fulani origin while the population is mostly from Hausa origin.
In the particular case of Zaria, Fulani warriors conquered the Emirate at the beginning of the 19th century (1805) and since then Emirs are been chosen from the royal family. There is therefore a blood tie between them.
Among the famous Emirates is the one of Zaria with Alhaji Shehu Idriss being the Emir of Zazzau, Kano with the Emir Muhamadu Sanusi II who was previously minister of finance in the government of Jonathan Goodluck, under the name of Sanusi Lamido Sanusi. He was asked to go upon revealing the existing a hole of several billion dollars in the State coffers. Then there are Sokoto, Katsina, etc...
the old town in Zaria
the old town in Zaria
Zaria is a town famous for its Usman Danfodio University with several tenth of thousand students, for its old town made of brick mud and surrounded by a mud wall. The palace of the Emir enjoys a particular in the town with a large square in front and it main entrance gate decorated with fancy colourful traditional designs.
the entrance gate of the Emir's palace
the entrance gate of the Emir's palace
The town has also another important of royal linage, the Magajin Garin of Zazzau. Royal blood princes can be recognised by their turban dominated by two distinct piece of clothes, similar to rabbit ears.
Besides the city has several craftsmen working leather among other things. Its main production is around agriculture.
local leather production
local leather production

Comments

Popular posts from this blog

The Ogiamien family in Benin City: about wood and history

Roland Ogiamien in his wood-carving workshop Wood Roland Ogiamien is a renown wood carver. He is now retired in his home town of Benin City and is now in his 80s. We met him in his simple workshop, a barn opened on the surrounding greenery. A part of the studio is used to store wood pieces and make sure they are well dried. He is using a collection of german ustensils to carve and polish the wood. He spent most of his career working out of Lagos before relocating to Benin. Roland was explaining that the wood he uses today is different that the one he worked on in his early days. Ebony has become rare and wood carvers have had to switch to other types of wood. Traditional heritage is a large part of his inspiration which he translates on wood with his own particular style, exploring various techniques for the finish of his pieces. Roland Ogiamien and two of his favourite masks History Ogiamien is the name of an important royal family in Benin Kingdom. Towards the end of the

The mysterious stones images of Esie

turned into Stones Chief J. Agbo Ooye had been waiting in the shade of a large tree, in front of the National Museum of Esie, dressed in ceremonial costume with a velvet hat incrusted with crystal beads sown in the shape of his title and his name. He was sitting next to his wife on a bench, expecting our arrival. His wife, he would tell us later, was his best friend and she was actually demonstrating it by guiding his frail body from one place to another and guiding his hand when it came to sign autographs of his books. Chief Agbo Ooye is the author of two booklets on the Esie Stones. The first one, called A Personal Account of the Esie Stones is giving an overview of the differences between the scientific and the traditional interpretation of the Esie Stones. The second one is called the History of Esie and gives a brief account of Esie's history from the early settlement of Yorubas in various groups (Esie, Oro, Eku Apa, Igbonla, Edidi, Igbesi, etc...) to the present day. Thos

The Arala of Benin Kingdom and his large family music band

High Chief Arala of Benin Kingdom, Prince S.B. Omo Lawal Osula At the intersection of two potholed market streets in the heart of Benin City, somewhere along Lagos street, stood three marquees. Two of them were covering rows of plastic chairs and a plastic table for special guests. The third one was covering a wooden stage with numerous microphone booms. A band was getting ready to play. The setup was facing the house of the Arala, a High Chief of Benin City. In front of the house painted in orange was a wooden bank on which traditional percussionists would seat later on. Seated guests were waiting for the Arala himself. The Arala had come out, dressed in a salmon-pink suit and red loafers, to welcome us personally upon our arrival while we parked next to the marquees. He is a man of small stature but fit and lively for his age (he is in his mid seventies). The Arala runs an NGO to help international organisations fund rural education projects around Benin city. The NGO spares the