Skip to main content

Sunday morning in Lagos Island

coming back from playing soccer
coming back from playing soccer
After the busy visit of Balogun market on a week day, one wonders if Lagos Island can ever be a peaceful place. Well yes, on Sundays the streets are quiet, left to church goers, youth playing football on the asphalt or taking a walk, some food sellers offering to fill the stomachs of people with appetite for a large portion of amala, of rice or pounded yam. Only local residents are to be seen on a Sunday morning.
Central Bank and Tinubu square
Central Bank and Tinubu square
Shops are closed, the traders filling up the island are not to be seen. It is the right time to take a walk to enjoy the streets largely empty of vehicles.
The financial district is built next to Marina, with the impressive building of the central bank next to Tinubu Square which has a park with water animations closed to the ordinary people.
Time also to see a few colonial buildings that constitute most of the history of Lagos, where the British established their administration with Lord Lugard. The first hospital, the old prison (Freedom Park) next to what is now part of the archives of the state of Lagos. Worryingly the archive building is in very bad shape. Some part of the roof and the walls are demolished, revealing piles of documents abandoned heat and humidity.
archives in distress
archives in distress

One side of the prison, which is today an event center, is gathering sellers of coffins, proximity was everything!
colonial style superseded
colonial style superseded

Comments

Popular posts from this blog

The Ogiamien family in Benin City: about wood and history

Roland Ogiamien in his wood-carving workshop Wood Roland Ogiamien is a renown wood carver. He is now retired in his home town of Benin City and is now in his 80s. We met him in his simple workshop, a barn opened on the surrounding greenery. A part of the studio is used to store wood pieces and make sure they are well dried. He is using a collection of german ustensils to carve and polish the wood. He spent most of his career working out of Lagos before relocating to Benin. Roland was explaining that the wood he uses today is different that the one he worked on in his early days. Ebony has become rare and wood carvers have had to switch to other types of wood. Traditional heritage is a large part of his inspiration which he translates on wood with his own particular style, exploring various techniques for the finish of his pieces. Roland Ogiamien and two of his favourite masks History Ogiamien is the name of an important royal family in Benin Kingdom. Towards the end of the

The mysterious stones images of Esie

turned into Stones Chief J. Agbo Ooye had been waiting in the shade of a large tree, in front of the National Museum of Esie, dressed in ceremonial costume with a velvet hat incrusted with crystal beads sown in the shape of his title and his name. He was sitting next to his wife on a bench, expecting our arrival. His wife, he would tell us later, was his best friend and she was actually demonstrating it by guiding his frail body from one place to another and guiding his hand when it came to sign autographs of his books. Chief Agbo Ooye is the author of two booklets on the Esie Stones. The first one, called A Personal Account of the Esie Stones is giving an overview of the differences between the scientific and the traditional interpretation of the Esie Stones. The second one is called the History of Esie and gives a brief account of Esie's history from the early settlement of Yorubas in various groups (Esie, Oro, Eku Apa, Igbonla, Edidi, Igbesi, etc...) to the present day. Thos

The Arala of Benin Kingdom and his large family music band

High Chief Arala of Benin Kingdom, Prince S.B. Omo Lawal Osula At the intersection of two potholed market streets in the heart of Benin City, somewhere along Lagos street, stood three marquees. Two of them were covering rows of plastic chairs and a plastic table for special guests. The third one was covering a wooden stage with numerous microphone booms. A band was getting ready to play. The setup was facing the house of the Arala, a High Chief of Benin City. In front of the house painted in orange was a wooden bank on which traditional percussionists would seat later on. Seated guests were waiting for the Arala himself. The Arala had come out, dressed in a salmon-pink suit and red loafers, to welcome us personally upon our arrival while we parked next to the marquees. He is a man of small stature but fit and lively for his age (he is in his mid seventies). The Arala runs an NGO to help international organisations fund rural education projects around Benin city. The NGO spares the