Skip to main content

Va Bene explores migration and gender in Iwaya

Va-Bene on a crusade for tolerance and respect
Va-Bene on a crusade for tolerance and respect
Long deep red artificial fingernails were busy setting up earrings with sparkling shades of white and red, as if they were incrusted with diamonds and rubies. As soon as it was done, it was time for make-up to be applied. Va-Bene Elikem Fiatsi, alias crazinisT_artisT on Instagram, a Ghanaian contemporary art performer, was holding his iPhone as a mirror to apply a blue pencil on the contour of his eyes and lips. He would then add a pinch of pink gloss at the center of his lips which he would rub expertly to create a gradation of colors. Va-Bene talked with conviction about his imminent performance at the Iwaya Community Art Festival (ICAF Lagos 2017). His eyes were sending flashes, as he spoke, while two hair assistants were undoing his braids to turn them into woolly pompons.
Va-Bene with make-up
Va-Bene with make-up
He was getting dressed-up in an open corner room on the first floor of an construction building overlooking the market of Iwaya, just above the SureBet 247 outlet which had gathered quite a crowd of gamblers, who probably thought they should try their luck in anticipation of Christmas. Va-Bene was perched on women shoes to protect his feet from the concrete rubble that made the floor. And he had brought his make-up in a women handbag.
Migration and sexuality where the master words of the theme of this art performance that would take the shape of a procession led by Va-Bene walking barefoot on the streets of the Iwaya neighborhood followed by his tribe of youth representing migrants (one of them carrying a foam mattress on his head as a symbol of nomadism and homelessness). Va-Bene explained that he wanted to challenge the traditional African societies for their lack of acceptance of migrants and of ambiguous genders. Migration is a very trendy topic nowadays and a sad reality too. This may be why Va-Bene, who has previously explored slavery in various performances back in Ghana, chose to move on to the theme of migration which is considered by some as modern slavery.
Regarding sexuality, his point was that African society does not officially welcome various shades of sexuality. For instance, homosexuality is forbidden in Nigeria. Va-Bene is cross-dressing in an attempt to show that a man dressed as a women is not a bad individual. Gender come in various forms as Facebook found out by uncovering more than fifty segments of gender. Va-bene said he was not gay but he visibly enjoyed women accessoires.
I actually felt that he looked more like a traditional worshipper with his traditional hair style, bare chest, bare feet, plastic coral beads and his deep red loincloth. Make-up (nails, eyes and lips) did not really strike out.
Iwaya's market area
Iwaya's market area
I reflected, from the way he was walking from a resolute and dignified pace on the street, that he looked a bit like yet another prophet preaching his own cult of respect and tolerance to the masses, similarly to Jesus as he was walking on the roads to preach the words of God and gathering followers as he went and performed miracles.
When he was fully dressed up, having put a last touch of Nivea cream to moisture his skin, he moved towards the staircase and briefed the boys who were recruited to follow him. On-lookers from the street had gathered to watch him descend the stairs and go barefoot in the muddy streets ahead of his followers. "Crazy" is word I heard a couple of times, but that was to be expected. Some people looked unconvinced, others had a smile on their face, enjoying the spectacle of this slender looking man walking through the street ceremoniously holding a bowl containing make-up ustensiles.
the purchase of bread
the purchase of bread
The performance included some food purchases, Va-Bene would stop and attempt to buy peanuts from a scared Muslim hawker girl who had brought down a tray from her head to pass it on to a boy. She was so scared, or shy, that she refused to sell despite the forceful insistence from men in charge of security for the procession. You don't want to sell? Another hawker did the trade instead. Va-Bene did not utter a word, as if he did not know the language of this foreign land where he had migrated. What mattered was to buy food and share it with his followers. The transactional act was repeated a few times with bread, fried yam etc...
Whether Iwaya will be changed as a result of this procession is a good question. Most people lacked the context to decipher its meaning and purpose, but at least a few salesman did some welcome and unexpected trade!

Comments

Popular posts from this blog

tanker for sale

tanker for sale As in Singapore, many ships are crowding the horizon on the sea along the Atlantic coast of Lagos. These are patiently waiting for  their turn to come to unload or load their containers in the harbour of Apapa or Tincan Island. Most of them come and go after have completed their duty. But unlike Singapore some are just staying longer than expected, by design or by accident. Hence the coast is littered by ship wrecks which are rusting away and sinking in the sand progressively so that, in the end, they are no longer visible. once a great ship Stories point out human error as a reason for the ship's beaching. The captain went to see his girlfriends and the ship drifted ashore... seriously? More probable is that these ships are either beyond repair or the company owning her in financial trouble and therefore the ship is abandoned. from raw material to recycling One of them was a complete tanker standing ominously on the sand at the edge of the

The Ogiamien family in Benin City: about wood and history

Roland Ogiamien in his wood-carving workshop Wood Roland Ogiamien is a renown wood carver. He is now retired in his home town of Benin City and is now in his 80s. We met him in his simple workshop, a barn opened on the surrounding greenery. A part of the studio is used to store wood pieces and make sure they are well dried. He is using a collection of german ustensils to carve and polish the wood. He spent most of his career working out of Lagos before relocating to Benin. Roland was explaining that the wood he uses today is different that the one he worked on in his early days. Ebony has become rare and wood carvers have had to switch to other types of wood. Traditional heritage is a large part of his inspiration which he translates on wood with his own particular style, exploring various techniques for the finish of his pieces. Roland Ogiamien and two of his favourite masks History Ogiamien is the name of an important royal family in Benin Kingdom. Towards the end of the

The mysterious stones images of Esie

turned into Stones Chief J. Agbo Ooye had been waiting in the shade of a large tree, in front of the National Museum of Esie, dressed in ceremonial costume with a velvet hat incrusted with crystal beads sown in the shape of his title and his name. He was sitting next to his wife on a bench, expecting our arrival. His wife, he would tell us later, was his best friend and she was actually demonstrating it by guiding his frail body from one place to another and guiding his hand when it came to sign autographs of his books. Chief Agbo Ooye is the author of two booklets on the Esie Stones. The first one, called A Personal Account of the Esie Stones is giving an overview of the differences between the scientific and the traditional interpretation of the Esie Stones. The second one is called the History of Esie and gives a brief account of Esie's history from the early settlement of Yorubas in various groups (Esie, Oro, Eku Apa, Igbonla, Edidi, Igbesi, etc...) to the present day. Thos