Skip to main content

Fishing with a net

throwing nets in circle
throwing nets in circle
It is dark, 4AM perhaps. Wooden boats leave Makoko, paddling towards the lagoon. First, they pass under the Third Mainland Bridge, then head towards the middle of the water expanse that separates the Lekki peninsula from the Mainland. Groups of ten boats go fishing together. Each boat carries two people, sometimes three if a younger one joins to observe, learn and help sort out the fishes from the net when it comes out of the water. The person sitting at the back has the responsibility to direct the boat and keep its balance when the one at the front stands and throws the net with a gyrating movement.
pulling the nets
pulling the nets
The fishermen are wearing long sleeves and usually trousers. The wind in the middle of the lagoon can be chilly and one is rapidly wet from the contact with waves and bringing up the net. The fishing routine comes as follows: the group of ten boats decides in which area where they hope to catch fish. They form a circle, wide enough to be able to throw their nets simultaneously inside the circle. Ballast is attached all around the net so that it can reach the bottom of the water. Fishermen wait for a few minutes for the fishes to trap themselves in the net and then pull it by a rope tied in the centre of the net. Gravity regroups the ballast catching fishes by surprised inside the net.

good catch
good catch
Fishes are then detached and thrown at the bottom of the boat while the net is being neatly folded in loops to allow it to be thrown again. After that, men grab their paddles and move in silence through wind and the waves to the next destination to repeat the throwing and catching ritual. They go home mid-morning to bring the fish to their wives who are in charge of selling it fresh or smoked.
getting the fish out of the net
getting the fish out of the net

woman selling fresh fish
woman selling fresh fish



Comments

Popular posts from this blog

The Ogiamien family in Benin City: about wood and history

Roland Ogiamien in his wood-carving workshop Wood Roland Ogiamien is a renown wood carver. He is now retired in his home town of Benin City and is now in his 80s. We met him in his simple workshop, a barn opened on the surrounding greenery. A part of the studio is used to store wood pieces and make sure they are well dried. He is using a collection of german ustensils to carve and polish the wood. He spent most of his career working out of Lagos before relocating to Benin. Roland was explaining that the wood he uses today is different that the one he worked on in his early days. Ebony has become rare and wood carvers have had to switch to other types of wood. Traditional heritage is a large part of his inspiration which he translates on wood with his own particular style, exploring various techniques for the finish of his pieces. Roland Ogiamien and two of his favourite masks History Ogiamien is the name of an important royal family in Benin Kingdom. Towards the end of the

no hawkers allowed on kingsway

no hawking Sign of hawkers this was my discovery of the week in the urban signage section. I had to think hard what the "damaged hat" was all about? Until I saw a couple of people walking with large flat baskets on their heads loaded with small portions of peanuts wrapped-up in plastic bags right by the signage. I then understood that they were not supposed to be there if the signage is of any relevance. Exactly why is another matter. Perhaps for safety reasons as in the past people hijacking cars could have been mistaken with the hawkers selling wares in the traffic. Today Kingsway, the large avenue crossing Ikoyi and coming straight out of Victoria Island through the Falomo bridge, is fairly safe. Its 2*2 lanes are often packed with slow traffic and therefore a good place for hawkers to do business. Youth's future on Kingsway Two billboards attracted my attention along Alfred Rewane avenue (the new name for Kingsway). One was a representation of a young a

The mysterious stones images of Esie

turned into Stones Chief J. Agbo Ooye had been waiting in the shade of a large tree, in front of the National Museum of Esie, dressed in ceremonial costume with a velvet hat incrusted with crystal beads sown in the shape of his title and his name. He was sitting next to his wife on a bench, expecting our arrival. His wife, he would tell us later, was his best friend and she was actually demonstrating it by guiding his frail body from one place to another and guiding his hand when it came to sign autographs of his books. Chief Agbo Ooye is the author of two booklets on the Esie Stones. The first one, called A Personal Account of the Esie Stones is giving an overview of the differences between the scientific and the traditional interpretation of the Esie Stones. The second one is called the History of Esie and gives a brief account of Esie's history from the early settlement of Yorubas in various groups (Esie, Oro, Eku Apa, Igbonla, Edidi, Igbesi, etc...) to the present day. Thos