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Showing posts from February, 2018

Dance Gathering 2018

secret dance from Q-Dance Back in the 1960s, Broad street in Lagos Island, a few meters away from Nigeria's Central Bank and the Lagos Stock Exchange, was a fine address. Fast forward to 2018, Broad street is a hip street for street parties, the latest of which is called Dance Gathering 2018. It happened along the walls of the former prison yard, now called Freedom Park which has been redeveloped into a leisure park in 2010. The area feels like it did not change much over the past 50 years, albeit the wrinkles of time, heat and humidity. For instance, the building of the National Archives that has been exposing archive files through an open roof for a number of years has only recently finally been emptied. The party started very quietly around 4pm. Like all parties or functions here, the opening time is the time for organisers to start organising (or at least getting to get things going) and by no means the beginning of the show. The street had been partitioned in several

Iya Osun's birthday

Dancing away at Iya Osun's birthday Green, yellow, beige were the official colours of Iya Osun’s birthday celebrations at the Oba’s palace. Green oval patterns, that reminded one of the skeleton of a sphere, were printed on the cloth that was used for dresses and the hair gear, the gele. As we entered the Oba’s compound, a hundred meters away from the junction of Osogbo’s central mosque, talking drums were happily providing a swinging call for dances and occasionally a welcome call to newcomers, that could involve the spelling out of the guests' names, in the hope that money would be sprayed on the drummers: blessings are always meant to be rewarded. The celebration took place in the lower courtyard of the palace, next to the red walls of a shrine decorated with white, black and orange designs. the colourful shrine at the palace of the Oba of Osogbo As usual, marquees had been erected, in a corner, for people to seat and have food and dri

The mysterious stones images of Esie

turned into Stones Chief J. Agbo Ooye had been waiting in the shade of a large tree, in front of the National Museum of Esie, dressed in ceremonial costume with a velvet hat incrusted with crystal beads sown in the shape of his title and his name. He was sitting next to his wife on a bench, expecting our arrival. His wife, he would tell us later, was his best friend and she was actually demonstrating it by guiding his frail body from one place to another and guiding his hand when it came to sign autographs of his books. Chief Agbo Ooye is the author of two booklets on the Esie Stones. The first one, called A Personal Account of the Esie Stones is giving an overview of the differences between the scientific and the traditional interpretation of the Esie Stones. The second one is called the History of Esie and gives a brief account of Esie's history from the early settlement of Yorubas in various groups (Esie, Oro, Eku Apa, Igbonla, Edidi, Igbesi, etc...) to the present day. Thos

The Ejiogbe Twins, fine stone carvers

Kehinde and Taiwo dancing hand in hand Taiwo and Kehinde Olabode Ejiogbe: now and then Drums could be heard in a distance as we approached the open compound of the Ejiogbes. Two slender white-clad silhouettes, those of two Obatala followers, were dancing forward in our direction, sometimes hand in hand, sometimes not, but synchronised at all time. Taiwo and Kehinde Ejiogbe, the stone carver twins of Inisa, Osun state, were now greeting us and welcoming us in an open courtyard where a marquee had been arranged with rows of plastic chairs. Taiwo's simple lines I had met the Ejiogbe Twins about a year ago in Iragbiji and had bought some of their carvings which I still like very much. So it was natural to go and meet them again in their abode. The compound was decorated with the many stones carved by the Twins. Taiwo's works were displayed on the lawn separating the road from the house. Large pieces with an asiatic touch in the simplicity of lines of the carvings.